An iconic clock once hung at the former entrance to New York City’s lost McKim, Mead, and White-designed Penn Station. In her most recent 15 feet high and 14 feet wide glass mosaic, entitled The Time Telling, artist Diana Al-Hadid recreates this famous clock, giving life to a piece of forgotten New York history. 

#5WomenArtists: Diana Al-Hadid and Physical Materiality

Confined Artists Free Spirits

Feminists Arm Themselves With Art

Bronx Museum of the Arts Hosts Its Annual Visionary Duos Gala

The American Academy of Arts and Letters Presents the 2020 Invitational Exhibition of Visual Arts

Searching for a City’s Spirit at the Lahore Biennale

The 100 Works of Art That Defined the Decade, Ranked: Part 1

The Arches of Old Penn Station Return in Diana Al-Hadid’s Subway Mosaics

As the Fog settled over SF, some asked, ‘Where’s the art?’

'Delirious Matter': Sculpture and surroundings meet

Unstable Solids: Diana Al-Hadid’s Delirious Matter

Diana Al-Hadid Studies Boundaries While Refusing to Obey Them

How The Sculptor Diana Al-Hadid Spends Her Sundays

Coming to Madison Square Park: Drippy Abstractions and Headless Figures

"Diana Al-Hadid: Falcon's Fortress"

"The Past and Present of a Syrian-American Artist"

"Critics' Picks, Abu Dhabi: Diana Al-Hadid" 

"Studio Visit: Diana Al-Hadid"

“Exquisite Mass” 

“Diana Al-Hadid sculptural paintings: Such beautiful decay"

"Artist Diana Al-Hadid Is Challenging Assumptions about Arabic Women"

"Austria Bound"

"Artist Diana Al-Hadid on Fate, Form, and Freud - and Her New Exhibition at the Secession in Vienna"

"States of Matter"

"Diana Al-Hadid Makes a Sculpture: The Birth of a Multi-Hued Venus"

by Jed Morse